David Enzel

Stirling Castle rises above the surrounding countryside, positioned at one of the most strategically important locations in Scotland. Perched on a volcanic crag, it overlooks the River Forth and the natural route between the Highlands and the Lowlands.

For centuries, control of Stirling meant control of Scotland. The castle played a central role during the Wars of Scottish Independence, including the nearby battles of Stirling Bridge (1297), where William Wallace defeated English forces, and Bannockburn (1314), where Robert the Bruce secured a decisive Scottish victory.

The castle later became a favored royal residence, particularly under the Stewart kings. Mary, Queen of Scots was crowned here in 1543 as an infant, and much of the present structure reflects Renaissance influences from that period.

Today, Stirling Castle stands not only as a fortress, but as a symbol of Scotland’s long struggle for independence and identity—set against a landscape that still conveys its strategic importance.

Google now offers a Gemini App for the Mac. It works well and is nice to have.

South Portland Street Suspension Bridge over the River Clyde, Glasgow.

Opened in 1853, the cast-iron pedestrian bridge links the city center with the south side.

When traveling, I make it a point to seek out places of Jewish interest, and this quiet corner of Scotland holds a remarkable piece of history. This is the Jewish Enclosure at the Glasgow Necropolis. Acquired by the Jewish community in 1832, this small, walled section actually predates the official opening of the main Necropolis and served as the city’s first Jewish communal burial ground.

It contains 57 burials that took place over a brief period from 1832 until 1855. Because Jewish religious law forbids the burial of more than one person in a single grave, the small plot of land reached its capacity very quickly. As a result, it has not been in use since the 1850s. The prominent stone column, designed by architect John Bryce and modeled after Absalom’s Pillar in Jerusalem, stands watch over the ornate wrought-iron Star of David at the entrance.

Mural by Smug (Sam Bates), a Glasgow-based artist born in Australia. One of several large works animating the city’s central streets.

St. Andrew’s Suspension Bridge over the River Clyde, Glasgow. Evening light reflected across the water at sunset.

A bagpiper outside Glasgow City Chambers, the city’s civic headquarters on George Square. The Victorian building serves as the seat of Glasgow City Council.

Between flights in Keflavík on my way to Glasgow. A model aircraft in the Icelandair lounge set against a low northern sky. I hope to return and spend more time in Iceland.

Recent posts from my blog:

• Hiroshima: Memory and Restraint
• Tokyo: Order and Motion
• Auckland: Between Two Harbours
• Milford Sound: Power in the Mist
• Uluru: Distance and Presence
• Melbourne: Energy at Street Level
• Aoraki / Mount Cook: New Zealand’s Highest Peak
• Sydney: Harbour, Light, and Unexpected Moments

Some trips simply offer a change of scenery.

Others change your sense of scale entirely.

My recent time in Australia and New Zealand was the latter. Australia felt vast, ancient, and deeply grounded. New Zealand felt carved, steep, and impossibly pure. From the quiet expanse of the Outback to the exhilarating chill of the Earnslaw Burn Glacier, the juxtapositions were profound.

I have finally finished going through the frames.

The galleries are now live:

• Australia
• New Zealand